Inmates in prison can find release from their difficulties during dance workshops. Charlotte Rowles meet the artists taking dance behind bars.

Alia Waheed was surprised that her daughter was often the only Muslim student at her ballet class. She explores the barriers preventing Muslim girls from enjoying ballet, and asks how religious values can fit with the demands of dance.

The Fonteyn famously helps dancers grow. But how can the competition share opportunities more widely? Isaac Ouro-Gnao reports on the bursaries making The Fonteyn accessible.

Dance features in the Olympics for the first time this summer, when breakers compete for medals in Paris. But how was breaking chosen, and what will be the impact on the art form? Kaelen Jones reports.

Ballet, music and more are on the syllabus at the Fig Club in Erbil, in the Kurdistan region of Iraq. Bekir Aydoğan visits the only RAD-registered school in Iraq.

The RAD’s Silver Swans programme brings older students to ballet classes. As the RAD launches the next stage of the programme, Emily May meets dancers in Germany and the UK.

The Fonteyn, the RAD’s flagship ballet competition, returns to the live stage this year. But how does it feel to be part of this cherished event? Rosemary Waugh hears from dancers, teachers and crucial figures behind the scenes.

Ballet classes shouldn’t depend on income, says Peruvian RAD teacher Marícarmen Silva. Dan Collyns visits her school in Lima to hear about resilience and turning trash into opportunity.

Industrial action is rare in the ballet world – but artists from Melbourne to Paris and London are protesting over pay and conditions. Jane Albert reports on what it takes for dancers to strike.

There’s a mental health crisis in the post-pandemic dance world, say RAD teachers and other dance professionals. Isaac Ouro-Gnao asks if a new focus on wellbeing can lift students and dancers struggling with their mental health?

No social media platform has had a greater influence on dance than TikTok. But just how do you go viral, and is the app safe and valuable for dance? Nicolas-Tyrell Scott investigates.

In Georgia, a celebrated national children’s dance company shakes off the shadow of Russia and aims to nurture national pride. Sally Howard reports from Tbilisi.

Dance organisations at last accept that safeguarding and child protection should be central to their work. Sally Howard reports on how the RAD is at the forefront of a slow revolution.

One year on from the invasion of Ukraine, Russian ballet is isolated from the wider world. Simon Morrison traces the recent history of the Bolshoi, Russia’s iconic ballet company.

Can dance help both patients and healthcare professionals? Rosemary Waugh investigates.

The RAD’s new global headquarters will let the Academy spread its wings. Sarah Crompton meets the people who made it happen.

Dance is a demanding career – especially when you also have caring responsibilities. Georgina Lawton hears about the challenges of balancing them both.

Demands on dance companies are changing rapidly, and they require new kinds of leaders. Three new directors tell Deirdre Kelly about making a difference.

Rain-drenched song and dance is a staple of Indian films. Sally Howard and Geetanjali Krishna chart the past and future of this key Bollywood motif.

As calls for racial equity in dance teaching grow, Isaac Ouro-Gnao asks what tangible action looks like and explores how to bring about change.

A migrant child crossed Europe this summer. What makes Amal unusual is that she is an 11-foot puppet who draws crowds wherever she goes. She began her journey in Turkey, where Altuğ Akin sees her welcomed by Izmir’s folk dancers.

It’s time to reset the dance industry. What do young dancers hope and expect?

From dancewear to touring and the RAD’s new HQ: can we dance the world greener?