Melissa Hamilton

Make your own judgement calls, says the Royal Ballet Principal, who is curating her own night of dance this summer.

The best advice I ever received 

Make your own judgement calls. Remember that everyone is going to have their own opinion and their own voice, and it’s very easy to rely on those. It is important and valid to listen, but not always to take that for gospel.

I had a teacher who instilled in me that I needed to have my own taste, my own opinion – everything stems from your individuality, which is what makes you interesting. That’s the key thing for any artist, I think, to not try to mould yourself into what someone else is, because that will always be a failure.

Photo: Andrej Uspenski

The advice I would pass on 

If I was to go back in time and see my past self, my advice would probably be not to become hellbent on the flaws and weaknesses, but to remember that whilst you are working on the flaws, you also have to shine a light on your strengths. You mustn’t allow your strengths to dim because you’re so focused on improving the weaknesses.

Is that also good life advice? Well, dance is my life! And I live my life by my rules that I go through in dancing. Dancers have so many skill sets that can be translated into the ‘real’ world, if you want to call it that. It’s a really tough career, and young dancers need to remember that it isn’t easy – and it doesn’t get any easier as you make your way up the ladder. As you get older, everyone is still working and still striving.

WATCH

Melissa Hamilton as the Summer Fairy in Cinderella

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REST OF Issue 16 – June 2026

interviews

Triple threat

Dancing, singing, acting: it’s the pinnacle of musical theatre excellence. Jasmine Amy Rogers, Broadway’s newest star, tells Diep Tran that she is willing to work for it.

Diep Tran

reports

Gotta dance!

As the RAD launches its first ever Musical Theatre syllabus, Sarah Crompton learns how it connects to ballet training – and what makes it unique.

Sarah Crompton

Inside RAD post Inside RAD

Motivated in Madrid

How does a school improve results and keep students motivated? For one Spanish school near Madrid, the RAD system provided the answer.

Dance Gazette

RAD Q&A post RAD Q&A

Lucy Banfield

Lucy Banfield was a classical dancer before moving into musical theatre. Now Head of Jazz and Commercial/Street at Laine Theatre Arts, how does she see the transition between the two styles?

Dance Gazette

reports

Work it

Musical theatre careers involve far more than song and dance. Anya Ryan meets the backstage team from Moulin Rouge aiming to inspire a new generation of young people.

Anya Ryan

features

Musicals on the move

Hit musicals travel the world. As Billy Elliot returns to South Korea, David D Lee hears how cast and creatives bring the show alive for audiences in Seoul.

David D Lee

interviews

Owning it

Julia Cheng has stepped into some big shoes – choreographing shows associated with Bob Fosse and Jerome Robbins. She tells Rosemary Waugh about authenticity, waacking and remaking the Fosse posse.

Rosemary Waugh

features

Razzle dazzle

Gwen Verdon was a Broadway legend. An electric, ground-breaking dancer, her work with Bob Fosse redefined musical theatre. Veronica Horwell pays tribute.

Veronica Horwell

Big Picture post Big Picture

Ashton at The Fonteyn

Frederick Ashton’s landmark choreography comes to The Fonteyn this year.

Dance Gazette

Playlist post Playlist

Shamel Pitts

American dancer and choreographer Shamel Pitts receives the Jacob’s Pillow Men Dancers Award this summer. For Dance Gazette, he selects a playlist of infinite possibilities.

Dance Gazette

Why Dance Matters post Why Dance Matters

Pawlet Brookes

The founder of the Serendipity Institute for Black Arts and Heritage on dancing with her dad and retaining her optimism.

Dance Gazette

Director’s cut post Director’s cut

Bold moves

Alexander Campbell explains how the RAD’s ambitious Musical Theatre syllabus will offer new opportunities – and produce better ballet dancers.

Alexander Campbell