Goodbye spotlight, hello Power Point: Alexander Campbell, the Royal Ballet Principal, is the RAD’s new Artistic Director. He tells David Jays that he’s excited for the role ahead.
Eyes up, swaying hips, no smile. Fashion models have used the same fundamental walk to showcase clothes for over a century. But how easy is it? Veronica Horwell joins a catwalk workshop.
The words we use and hear in dance classes can have a lasting impact – for good and bad. Lyndsey Winship explores how teachers can harness the power of language.
Why has the RAD refreshed its brand – and what ideas and emotion does the refresh convey?
The Fonteyn famously helps dancers grow. But how can the competition share opportunities more widely? Isaac Ouro-Gnao reports on the bursaries making The Fonteyn accessible.
Workshops and masterclasses at Members’ Day 2024.
RAD teacher Natalie Hall won an RAD Award for her ballet classes for the cancer community. But how does dance help cancer patients?
100 years on from the first RAD children’s exam, Rosemary Waugh looks at how exams have changed, and how their fundamental principles hold true.
Dance features in the Olympics for the first time this summer, when breakers compete for medals in Paris. But how was breaking chosen, and what will be the impact on the art form? Kaelen Jones reports.
The superstar ballerina launches the new season of the RAD podcast.
Favourite music selected by the commissioned choreographer for The Fonteyn 2024.
In the first column in his new Dance Gazette series, Chief Executive Tim Arthur reflects on the RAD’s new set of values – and explains why he’s always ‘happy to help.’
The RAD has been sending examiners around the world for decades – initially in a world before mobile phones, internet or email. The RAD’s remarkable retired examiners share some unexpected travellers’ tales.
