Mike Wamaya

Mike Wamaya works in Kenya with Project Elimu in Kibera. In an environment packed with challenges, he offers children and young people the chance to engage in dance and creativity, to look beyond their immediate horizons and to consider sexual and reproductive health. It’s an ambitious programme – so why is RAD ballet part of that mix?

Dance Gazette | Why Dance Matters | Issue 11 - Oct 2024

What is Project Elimu? 

Project Elimu is an after school programme for children in Kibera. Dance is one of our core activities, built around ballet, modern and African dance. We’ve been running this space since 2018, aiming to give children in Kibera a place to hang out, a safe space for young kids to come in and explore the beauty of dance.

We focus on creating dance as an access for education: we’ve seen children who are dancing with us getting more eager and interested in school. It is an oasis of a safe space for children, using dance as a tool of expression. 

I imagine the world outside the school is less safe?

Kibera is not an easy place to grow up as a child. Children face a lot of domestic violence and neglect – some even face hardship even when it comes to accessing food. It’s a quite intense but also a very beautiful place, with a lot of happiness, lots of colour, lots of people trying to make a difference. 

Like any other slum, Kibera is quite intense, but also sometimes dangerous to young girls growing up there. Our activities are designed to make children feel safe and teach them how to take care of themselves. We do a lot around sexual reproductive health and menstrual health management. Within the school, we have a sanitary towel bank, because when I started teaching one of the biggest challenges was that we would always have girls missing dance classes just because they didn’t have access to menstrual products.

How did your own dance journey begin?

I always say I started dancing as a default. My single mother was not able to support my high school education – my father had just passed away and everything broke down. I was pushed out to work at 15. I always wanted to be in the arts field. When I saw a poster for dance auditions for a Kenyan performing arts group, I thought it would be a perfect opportunity. 

Dancing gave me so much. I was not the best dancer in my dance school – when they were selecting 10 people, I would always be the 10th – but this taught me persistence. That’s why I love sharing my story with my students so that they all know that it’s not just about being the perfect dancer. It’s about the journey.

Why is RAD ballet also part of the mix at the school? 

To me it was important because it gives you an introduction to ballet in a very smooth, understandable way. It trains you on working on your core from a very early age. By the time they grow older and venture into other dance classes, like modern dance, jazz and African dance, you can see the presence of these children. They always have their backs straight. 

It has also been helpful academically. I love ballet because it teaches you that when you’re present, you’re also present in your normal classroom. I always tell them with pride: when you dance, you become elegant. And being elegant, you don’t need to know every answer within your class, but you can get help whenever you ask for it.

It must be emotional to see people come in as young kids and leave on the verge of their adult life?

It’s fulfilling when I see children get scholarships that initially they would have not been able to get. Some have travelled abroad, or been able to join high school: we have a very high rate of school dropout due to financial issues here. I see them become students at the university of Nairobi, studying medicine. They did this because we were able to find scholarship opportunities for them through dance. They start off just walking in to play and it ends up amazing.

Why does dance matter to you? 

Dance matters to me so much because it’s our core. In Kenya, we used to use dance to celebrate things or for mourning. We used to use dance to mark our calendars – it has been part of our lives. However, dance was often given a negative approach, and thought of as time-wasting tool, just a tool for entertainment. Yet it is something that makes us realise who we really are, our identity and our path. It is okay to dream and to want to be who you want to be. Dance has given that to me and so to me dance matters so much. 

Artwork: Bex Glendining

Why Dance Matters

Why Dance Matters is the RAD’s podcast – a series of conversations with extraordinary people from the world of dance and beyond. From November, episodes are released each month: first up is star choreographer Sir Matthew Bourne. Please do listen and subscribe.

LISTEN

Hear the full interview with Mike Wamaya

WATCH

Project Elimu’s official music video

RESOURCES

SEND YOUR FEEDBACK
Previous
Advice Bureau post

Jasmin Vardimon

Dance Gazette

Read more

REST OF Issue 11 - Oct 2024

interviews

Making moves

How do you create solos to premiere at The Fonteyn? In this special audio feature, we go behind the scenes with choreographer Andrew McNicol and dancers at The Fonteyn in London.

Big Picture post

The Fonteyn medallists 2024

Four dancers received medals at The Margot Fonteyn International Ballet Competition 2024 in London.

features

Labours of love

Behind every professional dancer is a shadow support system committing time, energy and hard cash to help a child succeed. Sally Howard explores the highs and lows of being a ballet parent.

reports

Inside out

Inmates in prison can find release from their difficulties during dance workshops. Charlotte Rowles meet the artists taking dance behind bars.

features

Settling the score

Ballets can live in memory and on film – but nothing captures their details and essence like a Benesh score. Sarah Crompton discovers the precise magic of notation.

reports

Keep the faith

Alia Waheed was surprised that her daughter was often the only Muslim student at her ballet class. She explores the barriers preventing Muslim girls from enjoying ballet, and asks how religious values can fit with the demands of dance.

features

In living colour

Audacious and imaginative, Léon Bakst’s Ballets Russes designs created a sensation. A century after his death, Jonathan Gray explores Bakst’s influence on ballet, fashion and design.

Inside RAD post

Paige Toews

Dancing through Lyme Disease to success in RAD exams.

RAD Q&A post

RAD at Pride

The RAD walked in London Pride for the first time in June this year. Hannah Prime, Head of Trusts and Foundations at the RAD, explains what Pride means to her.

Advice Bureau post

José Alves

Dance with your heart, says the acclaimed Brazilian dancer and judge at The Fonteyn.

Playlist post

Daniela Cardim

The Brazilian choreographer, now artistic director at Ballet Arizona, selects her favourite music.

Tim Talks post

Change the culture

Chief Executive Tim Arthur calls on the RAD to help redefine the culture of dance training and to be a champion of wellbeing in dance.

interviews

Leading roles

Principal dancer Sasha De Sola is part of San Francisco Ballet’s new Raising Leaders programme. As she tells Julie Zigoris, leaping into leadership isn’t much of a stretch.