For years, West Side Story was inextricably linked to Jerome Robbins’ choreography. On both stage and screen, the iconic finger clicks, bent knees and flaring skirts created an unmistakable movement language of simmering violence and romantic frustration.

Recent stage productions have allowed new choreographers to tackle this juicy material – including Anne Teresa de Keersmaeker on Broadway and Aletta Collins in Manchester. For Steven Spielberg’s new film, it’s Justin Peck, who as resident choreographer at New York City Ballet has danced in many Robbins’ ballets. ‘I’m standing on the shoulders of giants by taking this on,’ he acknowledges.

His grandfather and father watched the original stage production of West Side Story together, and when years later the young Peck saw the film in San Diego, it hit him, he said ‘like a gut-punch.’ Creating dance for Spielberg’s film he could draw on a cast that included not only Rita Moreno – who played Anita in the original film – but a new generation of vivid dancers. This time, Anita is Broadway star Ariana DeBose, who in 2020 told Dance Gazette about her approach to creating a character. ‘It all starts with movement,’ she said, ‘point blank, end of story. Because body language is everything.’

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West Side Story trailer

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The overall winner (main picture) is by Jon Raffoul from the UK, and shows Lucie Apicella-Howard with the caption ‘Dance makes me feel on top of the world’. Colourful and bright, it conveys the energy and dynamic qualities of dance. Vera Stephenson, USA, wins the Luke Rittner Special Commendation with a photograph of a young dancer captioned ‘Dance makes me feel like me!’ The public choice award, which attracted 2072 votes, goes to a stunning photo by Stella Smyrnaki from Greece (‘Dance makes me feel strong’) of a pair of young dancers holding a beautiful pose in front of a mountain landscape.

The judges were Melanie Murphy (RAD Director of Marketing and Communications), Gerard Charles (RAD Artistic Director) and the Korean-American photographer and artist Dolly Brown, whose work focuses on dancers, movement and performance. She says, ‘it was wonderful to see the various ways in which the entrants chose to express their feelings about dance through the medium of photography, and to see such a huge variety of entries from all over the world, showing that dance is a universal language.’

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Tamara Karsavina, the leading ballerina of the Ballets Russes, became a great teacher. The syllabus she devised for the RAD’s teacher training course in 1954 is still taught today. This was the second painting of her by Jacques Émile Blanche; he previously painted her in The Firebird, one of her signature roles. Largely self-taught, Blanche attended dress rehearsals of the Ballets Russes to paint its star dancers. 

Luke Rittner, the RAD’s Chief Executive, says: ‘We are delighted to welcome Tamara Karsavina back home to the RAD. The painting will hang prominently in the new headquarters, continuing Karsavina’s lifelong mission to inspire dancers for generations to come.’

Photo: Christies Images Ltd
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