The award-winning artist Zi Ling has been announced as the winner of the RAD’s portrait competition, launched to celebrate its brand-new global headquarters.

Artists from across the UK were asked to submit a portrait proposal of pioneering ballet dancer and founding RAD President Dame Adeline Genée, hoping to win a chance to create a painting for the RAD’s new home. The competition was created to honour the legacy of Dame Adeline’s extraordinary contribution to modern British ballet, ensuring that her portrait will be seen and admired by RAD staff, teachers and dancers alike for generations to come.

Zi Ling’s winning design for the portrait.

A judging panel of singer-songwriter Sophie Ellis-Bextor, royal portraitist Ralph Heimans and Shevelle Dynott, former English National Ballet Dancer, alongside RAD President Dame Darcey Bussell, presented the winning commission to Zi Ling, a member of the Royal Institute of Painters in Watercolour. The judges were hugely impressed by the over 60 entries, but felt Zi’s bold, expressive, and contemporary interpretation truly captured Genée’s essence.

I am very excited about this wonderful project,’ says Zi Ling. ‘As a painter, I specialise in portraits and figurative works – with my favourite subjects being dancers. The spirit of a dancer lies in their movements and rhythm, and I was inspired to paint Dame Adeline because of her distinctive mark on our history and society. In order to capture her beauty as well as her talent, the final portrait will be created in a water-based and pastel medium as a tribute to Degas and his famous ballet dancer paintings.’

Zi Ling.

Dame Darcey Bussell says, ‘I can’t think of a more fitting way to mark this new chapter in the RAD’s history than with this extraordinarily vibrant portrait. I can’t wait to unveil the new commission from Zi Ling in our brand-new home for dance.’ The proposal was also praised by judges Sophie Ellis-Bextor (for ‘her bold use of colour and depiction of Dame Adeline in a thoroughly modern light’) and Shevelle Dynott (‘I am sure Dame Adeline would have been thrilled’). The portrait artist Ralph Heimans adds, ‘with so many strong contenders, it was Zi’s proposal that really captured a sense of movement and bowled the judging panel away with her strong use of colour.’

Five other artists were highly commended in this competition supported by Freed of London: Caroline Assheton, Thea Beyleveld, Sophie Peters, Abby Hope Skinner and Siobhan Tate.

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For years, West Side Story was inextricably linked to Jerome Robbins’ choreography. On both stage and screen, the iconic finger clicks, bent knees and flaring skirts created an unmistakable movement language of simmering violence and romantic frustration.

Recent stage productions have allowed new choreographers to tackle this juicy material – including Anne Teresa de Keersmaeker on Broadway and Aletta Collins in Manchester. For Steven Spielberg’s new film, it’s Justin Peck, who as resident choreographer at New York City Ballet has danced in many Robbins’ ballets. ‘I’m standing on the shoulders of giants by taking this on,’ he acknowledges.

His grandfather and father watched the original stage production of West Side Story together, and when years later the young Peck saw the film in San Diego, it hit him, he said ‘like a gut-punch.’ Creating dance for Spielberg’s film he could draw on a cast that included not only Rita Moreno – who played Anita in the original film – but a new generation of vivid dancers. This time, Anita is Broadway star Ariana DeBose, who in 2020 told Dance Gazette about her approach to creating a character. ‘It all starts with movement,’ she said, ‘point blank, end of story. Because body language is everything.’

Watch

West Side Story trailer

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The overall winner (main picture) is by Jon Raffoul from the UK, and shows Lucie Apicella-Howard with the caption ‘Dance makes me feel on top of the world’. Colourful and bright, it conveys the energy and dynamic qualities of dance. Vera Stephenson, USA, wins the Luke Rittner Special Commendation with a photograph of a young dancer captioned ‘Dance makes me feel like me!’ The public choice award, which attracted 2072 votes, goes to a stunning photo by Stella Smyrnaki from Greece (‘Dance makes me feel strong’) of a pair of young dancers holding a beautiful pose in front of a mountain landscape.

The judges were Melanie Murphy (RAD Director of Marketing and Communications), Gerard Charles (RAD Artistic Director) and the Korean-American photographer and artist Dolly Brown, whose work focuses on dancers, movement and performance. She says, ‘it was wonderful to see the various ways in which the entrants chose to express their feelings about dance through the medium of photography, and to see such a huge variety of entries from all over the world, showing that dance is a universal language.’

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Tamara Karsavina, the leading ballerina of the Ballets Russes, became a great teacher. The syllabus she devised for the RAD’s teacher training course in 1954 is still taught today. This was the second painting of her by Jacques Émile Blanche; he previously painted her in The Firebird, one of her signature roles. Largely self-taught, Blanche attended dress rehearsals of the Ballets Russes to paint its star dancers. 

Luke Rittner, the RAD’s Chief Executive, says: ‘We are delighted to welcome Tamara Karsavina back home to the RAD. The painting will hang prominently in the new headquarters, continuing Karsavina’s lifelong mission to inspire dancers for generations to come.’

Photo: Christies Images Ltd
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