One, two, hop!

A chance encounter in the street reminds Alexander Campbell that every teacher hopes to spark a lifelong love of dance.

Shortly before I took up the role of Artistic Director, I was walking down the street behind two young sisters and their mother. The older sister was explaining and demonstrating to the younger how to do a layup in basketball. Standing at the crossing with them, I could hear the excitement in her voice as she explained that you took ‘one step, two step, then hop,’ so that you could then pass or shoot the ball. All the way down the street this enthusiastic child repeated her new skill: one, two, hop!

I couldn’t help but wonder who had taught her, because she had been left not only with an eagerness to practice a foundational skill but also with the desire to pass on that knowledge, to talk about and share it with the people around her. I felt as though I had seen the spark that lit a lifelong interest. 

Every time I teach now, I dream of being able to have this sort of impact. If I ever see a student going down the street and practising a pas de bourrée (like the basketball hop, also a prescribed number of steps!), I shall be able to retire happy.

‘If I ever see a student practising a pas de bourrée in the street, I shall retire happy’

I also want to support our members to be able to inspire their students in the most meaningful way possible. When I think of the best teachers I had throughout my training and career, they each passed on their love for the art form, and fostered an interest that made me want to practice the steps down the street. It made me want to talk about what I had done, what I had learnt, and what I hoped to do in the future. 

Looking more widely to the future of the RAD, I want to provide as many opportunities as possible for people to share their own love for ballet and dance. This is why I’m so excited about the Creative Training: Ballet offering which we are trialling as you read this. Matching the progressions seen in Grades 1 to 5, it relates to the Foundations of Classical Ballet Technique. It is designed to encourage autonomy and creativity in both teacher and participants as they develop their skills, knowledge and understanding of classical ballet, bringing the ethos of developing foundational knowledge to the fore. Initial trials have demonstrated numerous opportunities to enhance the learning experience, not least for our growing and dedicated adult learners. 

We all know that to be good at something, you need to practice it. And just think how our students will improve if they are inspired to practice as they walk home from class!

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REST OF Issue 14 – Oct 2025

Inside RAD post Inside RAD

A place to grow

Iain Mackay, Artistic Director of the Royal Ballet School, addressed successful graduates at RAD Graduation in September, in London’s Cadogan Hall. This is an edited version of his heartfelt speech.

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features

Dancing city

Ballet class, samba, clubbing: you can dance all day long in São Paulo. As The Fonteyn comes to Brazil’s largest city, photographer Pablo Albarenga follows São Paulo’s dance from morning to night.

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interviews

Passion project

Mayara Magri is a Principal with the Royal Ballet and now the commissioned choreographer for The Fonteyn in São Paulo. The Brazilian ballerina discusses her passion for dance and creating her new solos.

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reports

Opening doors

How can we rethink dance classes to bring greater joy to autistic students? JJ O’Donoghue investigates.

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Joseph Grimaldi in 1822. Illustration: Metropolitan Museum
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Grimaldi’s run

The clown Joseph Grimaldi was so popular that he often appeared at two different theatres on the same night, running between them through the London streets. Veronica Horwell’s unique audio tour brings a stage phenomenon to life.

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Ballet x Broadway

She juggles multiple roles at New York City Ballet. He has spent eight years in a single hit musical. Diep Tran asks a ballerina and a Broadway hoofer to compare notes on their working lives.

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Max McIlvenny

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Big Picture post Big Picture

A Midsummer Night

‘Great teaching lays the foundation for great artistry,’ says Federico Bonelli of Northern Ballet – just one of the ballet stars supporting dance education at a special RAD event.

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Playlist post Playlist

Daniela Severian

Daniela Severian was principal dancer at Wiesbaden Opera, Aalto-Theater Essen and at Companhia Nacional de Bailados. This year, she is coaching at The Fonteyn – but what are her most precious musical memories?

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Advice Bureau post Advice Bureau

Dannielle ‘Rhimes’ Lecointe

‘Don’t hide your light,’ says the choreographer, as she prepares to give a hip hop makeover to Dickens’ classic A Christmas Carol.

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Why Dance Matters post Why Dance Matters

Alina Cojocaru

One of the great ballerinas of her generation on bringing characters to life.

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