Dannielle ‘Rhimes’ Lecointe

‘Don’t hide your light,’ says the choreographer, as she prepares to give a hip hop makeover to Dickens’ classic A Christmas Carol.

Dannielle ‘Rhimes’ Lecointe is Associate Artistic Director of ZooNation.

The best advice I ever received 

I had always been a person who let fear drive me forward: using it to be productive and get things done. But I had never really thought about its implications in the body and that I had a choice to turn it into something else. 

It was one of my coaches who said, ‘fear and excitement use the same energy – you get to decide whether it transfers into one or the other.’ These words transformed my thinking and enabled me to turn that high stress feeling of fear into ensuring I was moving from excitement. It’s a powerful perspective that keeps those cortisol levels down.

The advice I would pass on 

Don’t quench, hide or dim your light. The problem is never the light you shine, but often the people you’re sharing it with. 

Over the years I’ve found that the more you engage, use or train your skills, the brighter you shine. This makes you a beacon to receive more, but it also can be a catalyst to removing people, places and things that are not conducive to where you’re going. This is never a negative thing. I think we’re all called to shine in our own unique way and the one thing that is inevitable is change.

Photo: Amy Cooke
Ebony Scrooge at Sadler’s Wells East. Photo: Johan Persson

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REST OF Issue 14 – Oct 2025

Inside RAD post Inside RAD

A place to grow

Iain Mackay, Artistic Director of the Royal Ballet School, addressed successful graduates at RAD Graduation in September, in London’s Cadogan Hall. This is an edited version of his heartfelt speech.

Dance Gazette

features

Dancing city

Ballet class, samba, clubbing: you can dance all day long in São Paulo. As The Fonteyn comes to Brazil’s largest city, photographer Pablo Albarenga follows São Paulo’s dance from morning to night.

Pablo Albarenga

interviews

Passion project

Mayara Magri is a Principal with the Royal Ballet and now the commissioned choreographer for The Fonteyn in São Paulo. The Brazilian ballerina discusses her passion for dance and creating her new solos.

David Jays

reports

Opening doors

How can we rethink dance classes to bring greater joy to autistic students? JJ O’Donoghue investigates.

JJ O’Donoghue

Joseph Grimaldi in 1822. Illustration: Metropolitan Museum
features

Grimaldi’s run

The clown Joseph Grimaldi was so popular that he often appeared at two different theatres on the same night, running between them through the London streets. Veronica Horwell’s unique audio tour brings a stage phenomenon to life.

Veronica Horwell

interviews

Ballet x Broadway

She juggles multiple roles at New York City Ballet. He has spent eight years in a single hit musical. Diep Tran asks a ballerina and a Broadway hoofer to compare notes on their working lives.

Diep Tran

interviews

Ballet with benefits

Australian teacher Rachel Ward recently won the RAD’s Dance for Wellbeing Award due to her research into dance’s health benefits and her work with Silver Swans. Jane Albert joins her class in Sydney to hear her story.

Jane Albert

RAD Q&A post RAD Q&A

Max McIlvenny

The first winner of the RAD’s Robin Windsor Dance Award describes how dance has helped him overcome adversity and improve mental wellbeing.

Dance Gazette

Big Picture post Big Picture

A Midsummer Night

‘Great teaching lays the foundation for great artistry,’ says Federico Bonelli of Northern Ballet – just one of the ballet stars supporting dance education at a special RAD event.

Dance Gazette

Playlist post Playlist

Daniela Severian

Daniela Severian was principal dancer at Wiesbaden Opera, Aalto-Theater Essen and at Companhia Nacional de Bailados. This year, she is coaching at The Fonteyn – but what are her most precious musical memories?

Dance Gazette

Why Dance Matters post Why Dance Matters

Alina Cojocaru

One of the great ballerinas of her generation on bringing characters to life.

Dance Gazette

Director’s cut post Director’s cut

One, two, hop!

A chance encounter in the street reminds Alexander Campbell that every teacher hopes to spark a lifelong love of dance.

Alexander Campbell