Daniela Severian

Daniela Severian was principal dancer at Wiesbaden Opera, Aalto -Theater Essen and at Companhia Nacional de Bailados. This year, she is coaching at The Fonteyn – but what are her most precious musical memories?

1 Sugarplum Fairy and Cavalier Pas de Deux from The Nutcracker by Tchaikovsky

As a ballet student, I used to listen to this and was enchanted by the beauty of the melody. In just five minutes, this music had the power to take me to a magical world, and to experience feelings such as compassion, hope, love and much more. The fascination I had for it made me want to dance the Sugar Plum Fairy’s grand pas de deux. The Nutcracker was the first creation in which I performed when I joined a professional company in Germany. Coincidence or not, this not only helped me fulfil my dream of dancing to this music, but the experience of participating in a creation taught me a great deal about ballet as an art form and influences me still today. 

2 Bachianas Brasileiras No 4 – Prelúdio by Heitor Villa-Lobos

Simple in its structure – yet intense, profound, expressive, dramatic, vulnerable and human.

3 Non, je ne regrette rien by Charles Dumont and Michel Vaucaire

Edith Piaf’s voice in this song expresses tenacity, strength and determination – the same energy that I believe a dancer should have throughout their career. This music was used in a solo choreographed for me by Ben van Cauwenbergh to perform along with variations from the classical ballet repertoire at the Septième Concours de Danse de Paris. The song is particularly important to me as this solo helped me not only win the gold medal in the competition, but also to bring my art to different parts of the globe.

4 É Hoje by Didi and Mestrinho 

This song, performed by Caetano Veloso, was part of a ritual that I followed throughout my career. During warm-ups, when putting on make-up or on my way to the theatre, I would always listen to this song. It connected me to the joy of the Brazilian people and to my roots. After listening to it, I was full of energy and ready to go on stage.

5 What a Wonderful World by Bob Thiele and George David Weiss

The busy life that most of us live, the excessive use of cell phones, and the growing number of people suffering from anxiety and depression in the world today calls my attention to this song, wonderfully interpreted by Louis Armstrong. The beautiful text and the simplicity of the melody remind me of the importance of simple things, of small pleasures, of realising the importance of the present moment. A real treasure.

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REST OF Issue 14 – Oct 2025

Inside RAD post Inside RAD

A place to grow

Iain Mackay, Artistic Director of the Royal Ballet School, addressed successful graduates at RAD Graduation in September, in London’s Cadogan Hall. This is an edited version of his heartfelt speech.

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interviews

Passion project

Mayara Magri is a Principal with the Royal Ballet and now the commissioned choreographer for The Fonteyn in São Paulo. The Brazilian ballerina discusses her passion for dance and creating her new solos.

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Opening doors

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Joseph Grimaldi in 1822. Illustration: Metropolitan Museum
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She juggles multiple roles at New York City Ballet. He has spent eight years in a single hit musical. Diep Tran asks a ballerina and a Broadway hoofer to compare notes on their working lives.

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