This year, The Margot Fonteyn International Ballet Competition was held entirely online for the first time in its history.

After remote coaching and masterclasses from world-renowned teachers and choreographers, the competition final saw the coveted Genée Gold Medal awarded to New Zealand dancer Alice McArthur, trained by Auckland Academy of Dance and currently Sarah Abendroth at John Cranko School. In a touching coincidence, Alice’s success comes over 30 years after her mother was awarded the silver medal in London.

Australian dancer Milei Lee won the silver medal. Milei has been trained by RAD teachers Liane McRae and Janne Blanch, and English National Ballet School. Bronze medals were presented to British dancer Hannah Martin, trained by RAD teacher Mary Goodhew, and to Australian dancer Amelia Soh, trained by RAD teachers Jasmin Bobyk, Paris Bobyk and Celine Bobyk. The Dancer’s Own Choreographic Award was won by British dancer Olivia Chang Clarke for her self-choreographed solo Rain of tears.

Amelia Soh. Photo: Guy Harman

Australian dancer Amber Mitchell-Knight, trained by RAD teacher Susan Sargison and the National Theatre Ballet School, won this year’s Audience Choice Award, generously supported by the Dame Margot Fonteyn Scholarship Fund. The online vote was held over a 72-hour period, so viewers in all time zones could choose their favourite dancer.

The 15 young dancers were judged by Dame Darcey Bussell, President of the RAD, Director of the Royal Ballet Kevin O’Hare, CEO and Artistic Director of Scottish Ballet Christopher Hampson and Irek Mukhamedov, Ballet Master at the Paris Opéra Ballet. Each dancer performed a 19th- or 20th-century classical variation, a contemporary solo choreographed by or for them (Dancer’s Own), a commissioned solo by choreographer Ashley Page and set class exercises.

Hannah Martin
Milei Lee. Photo: Amber Griffin Photography

Gerard Charles, Artistic Director of the RAD said: ‘I am so pleased that we were able to make the competition happen this year, after what has been an incredibly challenging time for dance students and teachers. It has been so inspiring to see these young dancers surmount unforeseeable challenges of separation, closed studios and lockdowns, just to take part in the competition, let alone take home a medal. This is a true testament to how deeply they value dance.’

The RAD welcomed a record number of applicants, thanks to a new format designed to widen access to this prominent competition. In the early stages, the RAD delivered one-to-one online coaching for 114 dancers from 18 countries. The coaches, all leading professionals, included former Royal Ballet Principals Edward Watson and Leanne Benjamin, Miguel Altunaga from Rambert and Amber Scott, Principal with the Australian Ballet. All the solos of the 15 chosen finalists will be sent to artistic directors of leading international companies, providing a potentially crucial stepping stone in their career path.

Alice McArthur

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Meet the Fonteyn finalists

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Bronze medallist Hannah Martin on her journey to the final

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RAD Q&A

Mia Zanardo

Dance Gazette

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David McAllister had no idea what awaited him when he arrived at a special event held in Sydney in April. To his surprise, he was awarded the Queen Elizabeth II Coronation Award, the RAD’s highest honour. 

McAllister, who stepped down as Artistic Director of the Australian Ballet at the end of 2020 and is also a Vice-President of the RAD, receives the award in recognition of his contribution to the Australian Ballet as a dancer and director, as well as being a vital supporter and advocate for dance. 

David McAllister is surprised by Darcey Bussell’s filmed announcement. Photo: Chris Pavlich

‘It is the highest achievement in ballet,’ he said, ‘and without the Royal Academy of Dance I would not be here today. This award has been given to such extraordinary people and to join them is mind-blowing. You don’t expect to receive such an award or recognition when you are lucky enough to do a job you love, with such incredibly talented people. I am incredibly touched and moved.’

First presented (to Dame Ninette de Valois) in 1954, the QEII Coronation Award has been given to some of the greatest names in dance, including Marie Rambert, Frederick Ashton, Rudolf Nureyev, Carlos Acosta and most recently Karen Kain. This year’s award was presented at a special lunch gala organised by the Friends of the Australian Ballet, arranged to mark the end of McAllister’s incredible four decades with the company, and provided a perfect opportunity to surprise him with this coveted honour. 

David McAllister. Photo: Chris Pavlich

David McAllister danced with the Australian Ballet for 20 years and then became its Artistic Director for a further 20 years, growing its international reputation immeasurably. Dame Darcey Bussell, who guested with the company and is the RAD’s President, joined the event virtually to announce the news (Audrey Nicholls presented the medal in person). ‘David, you are so deserving of this award,’ she said, adding that he achieved everything ‘with complete humility and integrity.’

The event was compered by McAllister’s close friend and former dance partner Liz Toohey, who told the Sydney Morning Herald that ‘the legacy and the mark he has made on Australian ballet can never be underestimated.’

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Why Dance Matters

Xander Parish

Dance Gazette

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